An original piece, heavily influenced by my 5-horn arranging style I developed while at Berklee. Message me if you'd like to see the score (the one thing composers like better than writing music is talking about it), the weird groove you hear throughout is in 19/8. Two bass tracks, one solo, one "bass." Ibanez BTB prestige tuned EADGC

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Just messing around with garage band after I got my new audio interface.

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Pigeons are trained to distinguish between Picasso and Monet. And sometimes they're better learners than humans.

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Karen Cuneo Ramirez, in a followup to a previous series, amplifies further on how to create fills and riffs in a piece of music.

Karen Cuneo Ramirez, in a followup to a previous series, amplifies further on how to create fills and riffs in a piece of music.

Karen Cuneo Ramirez, in a followup to a previous series, amplifies further on how to create fills and riffs in a piece of music.

Karen Cuneo Ramirez, in a followup to a previous series, amplifies further on how to create fills and riffs in a piece of music.

Stereotype threat is the fear that one's behavior will confirm an existing stereotype of a group with which one identifies. This fear can sometimes affect performance (definition: wikipedia). This is a _very_ common phenomenon, since we all belong to some group -- which means we all suffer more or less from stereotype threat.

Sum 41-With me bass cover. Sorry about the ending there was no memory space left.

Karen Cuneo Ramirez explains how to create fills and riffs on pianos, organs and keyboards.

Karen Cuneo Ramirez explains how to create fills and riffs on pianos, organs and keyboards.

Karen Cuneo Ramirez explains how to create fills and riffs on pianos, organs and keyboards.

Karen Cuneo Ramirez explains how to create fills and riffs on pianos, organs and keyboards.