🔒 Get 20% off DeleteMe by going to https://joindeleteme.com/BOYLE and use code BOYLE to protect your privacy! 🙌🏻 OpenAI has signed $1.4 trillion in infrastructure commitments, but how do they plan to pay for it? Are government subsidies and taxpayer-backed guarantees the next step? In this video, we dive into the financing gymnastics behind the AI revolution, the lobbying for federal support, and why tech firms are pitching AI as “too important to fail.” We’ll cover: ✅ OpenAI’s $1.4 trillion data center buildout ✅ The push for government backstops and subsidies ✅ Nvidia’s warning on energy and capital constraints ✅ Why AI could strain power grids and utilities ✅ The risk of an AI “metabubble” and what it means for investors Watch Sarah Friar's Interview @wsj https://www.youtube.com/watch?v=8guZhBw4Z3g Patrick's Books: Statistics For The Trading Floor: https://amzn.to/3eerLA0 Derivatives For The Trading Floor: https://amzn.to/3cjsyPF Corporate Finance: https://amzn.to/3fn3rvC Ways To Support The Channel Patreon: https://www.patreon.com/PatrickBoyleOnFinance Buy Me a Coffee: https://www.buymeacoffee.com/patrickboyle Visit our website: https://www.onfinance.org Follow Patrick on Twitter Here: https://bsky.app/profile/pboyle.bsky.social Business Inquiries ➡️ sponsors@onfinance.org Patrick Boyle On Finance Podcast: Spotify: https://open.spotify.com/show/7uhrWlDvxzy9hLoW0EYf0b Apple: https://podcasts.apple.com/us/podcast/patrick-boyle-on-finance/id1547740313 Google Podcasts: https://tinyurl.com/62862nve Join this channel to support making this content: https://www.youtube.com/channel/UCASM0cgfkJxQ1ICmRilfHLw/join

Bambu Lab’s Black Friday is coming soon — check their site for the lowest prices in history and a chance to win prizes. Black Friday: https://tidd.ly/3X8WlmF H2D is on discount for the very first time: https://tidd.ly/43MbIoR Try Onshape, the world's most capable in-browser CAD software for free for 6 months: https://Onshape.pro/d4a Support the channel by shopping through this link: https://amzn.to/4fatbMb Become a member: https://www.youtube.com/@d4a/join Patreon: https://www.patreon.com/d4a I present to you the travelling combustion chamber oval rotary engine 2.0! A.k.a. TCCORE 2.0, great acronym right? And this thing is leaner and meaner than ever! First up is the anatomy, and finally we have an engine that rotates without much resistance….unlike my previous design. For the previous design I cut my seals by hand like a caveman, and that’s because I didn’t know something that most of my comments section did - you can 3d print TPU, aka thermoplastic polyurethane aka rubbery stuff with a high temperature resistance that’s great for seals! That’s why all the seals on this engine have been 3d printed on my Bambulab H2D printer, in fact, save for the little springs in here the entire engine is 3d printed. But this time around I didn't use basic filaments for the engine parts. I used the most expensive and the most badass filament Bambulab has to offer. PPS-CF, that’s Polyphenylene sulfide infused with carbon fiber. PPS is already in itself an engineering plastic which is resistant to high temperatures, solvents and most other chemicals. When you add carbon fiber into the mix you get a filament that’s an absolute powerhouse in terms of pretty much every property you can think of. The only downside of this fiber is that it’s very brittle, so this engine is actually made from the most flexible and the most rigid filaments out there, which I think is kinda cool. Today I managed to achieve massive progress and an important milestone no matter how you look at it. I went from a metal engine that did absolutely nothing to a 3d printed one that fell apart after 3 combustion events and now to a 3d printed one that can do combustion at will and occasionally thinks it's a flamethrower and obviously it can survive all of this easily without melting or falling apart. Obviously, none of this would be possible without my Bambulab H2D which is capable of printing these very very impressive materials and is capable of achieving very accurate tolerances 100% consistently. I'm genuinely thankful that I live in a time when it's possible to do projects like this on a DIY level because outsourcing this would cost a fortune. A capable 3d printer is an incredibly cost effective and time saving approach because I have gone through dozens of ideas and seal dimensions and designs and rotors until I got to this stage. Having someone else make it for you and ship every version to you would not only be terribly expensive but would also take forever. I also want to thank all of you for all of your useful input and ideas. I'm very new to 3d printing and I wouldn’t know you can print TPU without your comments. That being said you can't really print TPU just like that. I tried. Here's tpu without drying the filament and here's TPU with the filament dry. Fortunately, one of mt viewers sent me a very nice email where he taught me a lot and also told me about the Bambulab AMS HT…this is the secret sauce in my formula. It's fully integrated into the bambulab ecosystem so you just plug it into the printer, load the filament, it automatically sets the time and temperature and even rotates the filament while drying to achieve consistently perfect results every time. And finally why is this new version called an Oval rotary engine and why is the previous version an eliptical rotary engine? Don't they look the same? Well yes, they do, but mathematically they are very different. An elipse is defined by only two lines. The major and the minor axis. An oval is any closed rounded shape. It can be an egg or an elipse or anything similar. So all elipses are ovals but not all ovals are elipses. This is not an elipse. This is an artificial shape. I created it by extending lines from the midle and then creating a spline. The benefit of this shape is that it reduces friction because it makes for a smoother and easier travel path for the seal. I implemented this already on my rotary vane and sure enough I noticed it when I traced the video. It's just one of the many details hidden inside this engine that I will cover in the next video A special thank you to my patrons: Daniel Zwoa Meda Beda valqk Toma Marini Cole Philips Allan Mackay RePeteAndMe Sam Lutfi Cakeskull #d4a #rotaryengine

This is my rendition of John Lennon's original 'Working Class Hero'. I feel Working Class Hero is a critique of how institutions shape people to comply in schools, workplaces, media, government etc. Decades later, the same dynamics are still playing out through tech monopolies, political theatre and manufactured division. It’s relevant because the power structures he pointed to never went away. If anything, this message is even more relevant now. In the early 1900s, John Rockefeller donated hundreds of millions of dollars into reshaping a new education system. The local, creative, community learning was replaced with school bells, rows of desks, rigid grades and memorisation. A system built for efficiency, not imagination. Instead of cultivating creativity or independent thought, the system was built to create predictable, compliant workers who could fit into factory style structures. Frederick T. Gates, Rockefeller's top advisor said "We shall not try to make these people philosophers or men of learning... We shall try to make them what the situation demands... obedient... and fit to do the tasks needed." Today, this factory model still shapes our education system. Absolutely wild. Production / Guitar - Danny Duke, Chunky Luv Shot by ​⁠​⁠​⁠​⁠@ThurstonPhotoTV #johnlennon #coversong #activism #musicforthesoul #musicforpeace #truth #workingclasshero

Beef Kway Teow Ingredients 500g beef rump, thinly sliced 1 tbsp light soy sauce 1 tbsp oyster sauce 2 tsp sesame oil 2 tsp cornflour (cornstarch) Freshly ground black pepper Peanut oil (or other neutral oil) for frying thumb size piece fresh ginger, grated 6 cloves garlic, finely sliced 3 spring onions, sliced into 2cm lengths, green and white parts separated 1 bunch garlic chives, sliced into 3cm lengths 1 egg, beaten 125g beansprouts 450g fresh rice noodles, thickly sliced Sauce 1 tbsp sweet soy sauce 1 tbsp light soy sauce 1 tbsp oyster sauce 1 tbsp shaoxing Method Step 1: Marinate the beef Place the beef in a large bowl. Add the light soy, oyster sauce, sesame oil, cornflour, and season with salt and pepper. Mix well to combine, then refrigerate for at least 30 minutes. Step 2: Prep the sauce & noodles Combine the sweet soy, light soy, oyster sauce and Shaoxing in a small jug and mix to combine. Set aside. Blanch the noodles in boiling water for 1 minute, then gently separate and strain. Rinse under cold water. Step 3: Cook Heat some oil in a wok over high heat. Cook the beef in batches for 1-2 minutes, until browned on both sides, then set aside. Add a little more oil to the wok. Cook the ginger, garlic and whites of the spring onions. Stir fry for 1 minute. Add the noodles, toss to combine. Push everything to the side of the wok and pour in the egg. Stir to scramble quickly, then stir in garlic chives. Step 4: Finish and serve Pour in sauce and stir quickly to incorporate. Then return the beef to the pan and add the beansprouts and greens of the spring onions. Toss to combine then remove from the heat. Serve immediately.

‘Klimaatverandering trekt zich niets aan van politieke grenzen,’ vertelt Jeremy Rifkin. En daarom zullen we volgens de econoom en politiek adviseur niet alleen onze grenzen moeten herzien, we zullen ander buitenlandbeleid moeten voeren. In Rifkins toekomst laten we ons niet langer begrenzen door nationalistische of geopolitieke belangen, maar zal de wereld bestuurd worden vanuit bioregio’s. Niet zozeer omdat het een schitterend idee is of we het gewoon heel erg graag willen, maar omdat we geen andere keuze hebben. Maar met bioregio’s alleen zijn we er nog niet. Willen we het hoofd boven water houden, dan hebben we ook een nieuwe economie nodig. Een economie die vooruitgang en groei anders benadert dan nu. Een economie waarin het klimaat, en met name water, leidend is. We zijn afhankelijk van water, en toch nemen we het voor lief; slaan we nauwelijks acht op hoe we door klimaatverandering steeds vaker te maken hebben met recordhoge temperaturen, korte regenseizoenen en extreme droogte. Dat kan zo niet langer, stelt Rifkin. ‘We begrijpen niet dat water de oorzaak is van al het leven op deze planeet.’ En daarom zouden we planet earth morgen nog moeten omdopen tot planet aqua. In Tegenlicht-aflevering De strijd om planet aqua schetst hij een alternatief systeem waarin water voorrang krijgt. Rifkin denkt graag verder dan huidige technische en politieke beperkingen. Zijn idee is simpel (‘we moeten de naam van de aarde veranderen’), maar de gevolgen zijn groot, veelomvattend en complex – maar daar laat Rifkin zich allerminst door tegenhouden. En dat is maar goed ook. Want in moeilijke tijden hebben we stemmen nodig die alternatieven kunnen zien voor hoe we nu leven, die voorbij de ellendige status quo durven kijken, op zoek naar andere manieren van leven. Om al doende een fundament van hoop te leggen, dat wellicht het begin is van werkelijke verandering. Regie en research: Tara Vierbergen Camera: Remco Bikkers Geluid: Ilja Willems Productie: Regina Rijpkema Montage: Reinier Zoutendijk Beeldredactie: Isis Brandt Corstius Productie-assistent: Leonard Peters Audionabewerking: Mark Meewis Kleurnabewerking: Reinier Zoutendijk Relay: Esmee van Zoggel Vormgeving: Fien Leeflang Voice-over: Atze de Vrieze Eindredactie: Jurgen van Uden Met speciale dank aan: Kas Jansma Archief: NOS NASA Pexels NASA Science The White House ESA Reuters Connect 🎵 Copyrighted music licensed from Lickd. https://lickd.co Spirit In The Sky (Deluxe Edition) by Norman Greenbaum, https://t.lickd.co/l/Yb143YNO8m4 Meer verhalen? Volg ons hier: Website: https://tegenlicht.vpro.nl/ Instagram: https://www.instagram.com/vpro.tegenlicht TikTok: https://www.tiktok.com/@vprotegenlicht Bluesky: https://bsky.app/profile/vprotegenlicht.bsky.social FaceBook: https://www.facebook.com/vprotegenlicht Meet-Ups: https://www.vpro.nl/evenementen Kijkwijzer: Alle leeftijden

Luciano Floridi: Living in the Infosphere — AI, the Fourth Revolution & the Human Project We’re not just using technology anymore — we’re living inside it. In this Deep Dive, we explore Luciano Floridi’s “philosophy of information” and what it means to be human in the age of AI, data, and the Infosphere. Together we unpack: The Infosphere – why our world is no longer online vs offline, but a single hybrid reality we’re always inside. The Fourth Information Revolution – how AI finally pushes us out of the center, after Copernicus, Darwin, and Freud. AI as “agency without intelligence” – why today’s AI is powerful, effective, and completely mindless (and why that matters more than sci-fi superintelligence). Onlife, nudging & hyper-predictability – how gentle algorithmic pressure shapes our choices, identities, and politics. Infraethics & governance as design – moving from ethics as a checklist to ethics as architecture: building systems that make good behavior the default. The Human Project – Floridi’s call to marry “blue” (digital/AI) with “green” (environmental sustainability) and design a future that is not just possible, but preferable. If you’ve ever felt that technology is evolving faster than our wisdom, this conversation is a toolkit for closing that gap — to think deeper, design better, and care more in the Infosphere we all now share. 👉 If this episode helps you see AI and the digital age differently, consider subscribing, leaving a comment, and sharing it with someone who feels overwhelmed by tech headlines but hungry for serious thinking.

Sometimes the wrong chords can work better!

Join the team as they uncover the incredible story of the Gresham Ship, revealing the world of Sir Thomas Gresham, the most powerful financier of the Tudor Age, and how his maritime ventures fueled modern capitalism. We dive deep to inspect the sunken timbers and recovered cargo, including valuable lead ingots and heavy cannon, that protected the ship's wealth. The documentary also explores other pivotal sites of Tudor Britain, from the first London playhouse where Shakespeare acted, to the forgotten Greenwich Palace, the human remains of the Mary Rose crew, and the dissolved Strata Florida Abbey. Discover how these remarkable finds reshape our understanding of Henry VIII's transformative England. Welcome to Chronicle; your home for all things medieval history! With documentaries covering everything from the collapse of the Roman Empire to the beginnings of the Renaissance, from Hastings to Charlemagne, we'll be exploring everything the Middle Ages have to offer. Subscribe now so you don't miss out! 📺 You can now become a History Hit member right here on YouTube! Join for access to a new exclusive documentary every week, and access to over 160+ of our documentaries presented by world renowned historians like Dan Snow, Eleanor Janega, Tristan Hughes, Mary Beard, Matt Lewis and more. Get an exclusive release every week by signing up here: https://bit.ly/4pyExyn Chronicle is part of the History Hit Network. To get in touch please email owned-enquiries@littledotstudios.com.

The Black Friday Sale might be over, but you can still get 75% off the brand new Better Piano System this holiday season!! Go here: https://shop.betterpiano.com/ Follow me! Instagram: https://bit.ly/2WoR7W1 Twitter: https://bit.ly/2I02YAt Facebook: https://bit.ly/2K4rHq8 TikTok: https://bit.ly/2X7pnlN

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This practice mistake will hurt your progress!

Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com This film "Heritage for the People" is the original fundraising film for the John F. Kennedy Presidential Library, produced in 1965. Former First Lady Jacqueline Kennedy narrates this film, reviewing plans for the Kennedy Library (at that time expected to be built in Cambridge, Massachusetts), and showing the Franklin D. Roosevelt Library, the Harry S. Truman Library, the Dwight D. Eisenhower Library, the Herbert Hoover Library, and the Hoover Institution at Stanford. The film begins with an introduction accompanied by music, followed by narration by Gregory Peck, discussing President Kennedy's assassination and the nation's collective grief. First Lady Jacqueline Kennedy then introduces the John F. Kennedy Library, discussing the purpose of presidential libraries in preserving the papers and memorabilia of presidents. The film also provides details about the Franklin D. Roosevelt Library, including Roosevelt's personal collections, and information about the Harry S. Truman Library, highlighting Truman's presidency. It also gives an overview of the Eisenhower Library and Museum, and the Herbert Hoover Library, discussing the Hoover Institution. Plans for the John F. Kennedy Library are outlined, emphasizing its role in promoting public service. The film includes excerpts from various films featuring President Kennedy, including his visits to Mexico and Costa Rica, and a state dinner with President Diem of South Vietnam. It describes the White House and Kennedy's discussions with Diem, followed by Kennedy's visit to Berlin and his famous "Ich bin ein Berliner" speech, emphasizing freedom and democracy. The film concludes with Kennedy's remarks on the Free World and the Communist World, reiterating the importance of freedom. 00:00 - 0:08: Introduction with music. 0:33 - 0:51: Mention of the sorrowful event of President Kennedy's assassination. 0:51 - 1:05: The nation was wounded by the president's death. 1:05 - 1:29: Introduction to the John F. Kennedy Library. 1:29 - 2:00: Discussion about the purpose of presidential libraries. 2:00 - 3:02: Details about the Franklin D. Roosevelt Library. 3:02 - 4:00: Description of Franklin Roosevelt's personal collections. 4:00 - 5:00: Information about the Harry S. Truman Library. 5:00 - 6:00: Highlights of Truman's presidency. 6:00 - 7:00: Overview of the Eisenhower Library. 7:00 - 8:00: Description of the Eisenhower Museum. 8:00 - 9:00: Information about the Herbert Hoover Library. 9:00 - 10:00: Discussion about the Hoover Institution. 10:00 - 11:00: Plans for the John F. Kennedy Library. 11:00 - 12:00: Excerpts from films of President Kennedy. 12:00 - 13:00: President Kennedy's visit to Mexico. 13:00 - 14:00: Kennedy's speech in Mexico City. 14:00 - 15:00: Kennedy's visit to Costa Rica. 15:00 - 16:00: State dinner at the White House with President Diem of South Vietnam. 16:00 - 17:00: Overview of the White House. 17:00 - 18:00: Kennedy's discussions with President Diem. 18:00 - 19:00: Kennedy's visit to Berlin. 19:00 - 20:00: Kennedy's speech in Berlin. 20:00 - 21:00: Kennedy's declaration "Ich bin ein Berliner." 21:00 - 22:00: Continued emphasis on freedom and democracy. 22:00 - 23:00: Conclusion of Kennedy's speech in Berlin. 23:00 - 24:00: Final remarks and applause. 24:00 - 25:00: Kennedy's speech about the Free World and the Communist World. 25:00 - 26:00: Kennedy's emphasis on the importance of freedom. 26:00 - 27:00: Kennedy's famous declaration "Ich bin ein Berliner" in Berlin, West Germany 27:00 - 28:00: Conclusion of Kennedy's speech. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com Shot by an amateur American filmmaker sometime after the assassination of President John F. Kennedy in Dallas, Texas, this brief 8mm home movie shows views of Dealey Plaza and the Texas School Book Depository, including an image at (:16) of a red circle in the window where Lee Harvey Oswald allegedly fired the fatal shots. The film also includes interesting shots of the area around the Grassy Knoll and Bryan pergola on the north side of Elm Street. This includes the sign for the R.L. Thornton Freeway (:54) and the Stemmons Freeway sign with the railroad bridge in the background. At (1:28) a makeshift memorial is seen, left by the 7th grade class at the Immaculate Heart of Mary Mission School, Dallas, Texas. As the film comes to a close at (3:25) a bridge over the Mississippi River is shown. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

Slide Valve Setting And Other Modifications - In The Workshop. Some useful information about slide valves and other things on a Stuart Double 10V which needs a lot of attention and a Stuart Victoria Steam Engine which is much better. https://www.patreon.com/keithappleton IF YOU ENJOY WATCHING THESE DETAILED TUTORIAL VIDEOS THAT I PRODUCE TO HELP BEGINNERS TO THE HOBBY, THEN PLEASE BECOME A PATRON OF MY YOUTUBE CHANNEL VIA "PATREON" AND ALLOW ME THE TIME TO MAKE EVEN MORE OF THESE SPECIALIST AND HIGHLY DETAILED TUTORIAL VIDEOS. AS A PATREON SUPPORTER YOU ARE ABLE TO ACCESS MANY OF MY VIDEOS THAT ARE NOT FOR PUBLIC VIEW ON YOUTUBE. PLEASE VISIT MY WEBSITE FOR THE VERY EASY TO USE COMPREHENSIVE PLAYLIST INDEX OF ALL OF MY YOUTUBE VIDEOS: www.mainsteam.co.uk OR CLICK HERE FOR PATREON: https://www.patreon.com/keithappleton Please become a member of my Youtube Channel to get access to extra videos: https://www.youtube.com/channel/UCgeQiJg-PIH5MZQn0aRd1mg/join

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Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com This late 1970's police training film called “Officer Stress Awareness; Externalizing Problems” is part of a three part series designed to operate as a catalyst for group discussion among active and pre-service police officers. Research shows law enforcement positions are of the most stressful occupations in relation to the overall impact on the subject’s physical and mental health as well as their personal relationships. It pinpoints major sources of stress while examining various mental defense mechanisms used by officers to cope with pressures from their positions. It shows negative side effects of the world including denial of real emotions, overly aggressive badge behavior, impersonal attitude and displaced aggression. It features officers of the Springfield Massachusetts Dept. The film opens with a briefing on a recent robbery (:40). Officers look grim over news of a fallen peer (1:21). A pair of officer’s head off on patrol (1:51). The narrator addresses the perceived image of the super cop portrayed by the media (2:12) and the difficultly to uphold this image as an officer. A group congregates outside of the apartment complex Windsor Court (2:24). Repression of natural human emotion is discussed. An officer approaches the rowdy crowd (2:48); tensions escalate as one man is handcuffed (3:00). Some of the gang bounce on the hood of the car (3:24) as the car prepares to leave. The film was written and developed by George Kirkham (3:43). Contributing psychologists include Martin Reiser, William Kores and Michael Roberts (3:47). Morton bard (4:07) discusses reaction formation and masking of surface emotions (4:49). Two officers discuss sports news (5:19). They spot the Plymouth involved in the robbery discussed in the morning briefing; officers begin to tail the car and radio dispatch the location (5:34). One overtly confident officer (5:45) makes the call to pull over the armed suspects. The super cop mentality is again referred to. A car chase swings around the bend (6:31). An officer drops from a shotgun wound (7:23). A motorcycle cops siren wails (7:50) in a traffic stop involving a 1975 Buick Century. Interactions between driver and officer are fairly hostile resulting in naturally occurring unpleasant emotions (8:17). Two officers pull up to a local lounge (9:12). Officers take a call in a rowdy bar (9:36). Perpetrators curse and resist arrest (10:07). Officers take a call over a dead body; the pair inspect a gunshot wound on the right side of the head (10:43). Shells are located casings from a .38 (10:48). Anxiety from frequent encounters with danger and death is expressed (11:02). Many officers attempt to neutralize the stress experienced (11:27). An officer on patrol expresses anxiety over drawing attention to their patrol vehicle (12:20) displaying "inappropriate" emotions to his partner. Repression of emotions is discussed (13:00). A cop arrives on the scene of a two car pileup (13:13). The motorist shows irritable and hurried emotions. Later a superior position officer looks over the report (14:43) noting errors. He is reprimanded for errors, pressures of work (15:13). Unwanted emotions must be masked; displaced aggression is discussed (15:29). An officer writing tickets for parked cars radios (15:52) the station. He expresses irritability to the dispatch officer (16:00). Release of the anger is then expressed towards inanimate objects (16:26). On a routine call; one officer clears the area (16:41). Unresolved emotions lead to feelings of futility (17:14). Two patrol officers discuss a scenario including active mob members during which an officer’s weapon was taken from (18:33). Patrol cars respond to another call over the rowdy gang at Windsor Court (19:48); the narrator mentions suppressed emotions unreleased from the first encounter. Upon arrival, an officer is hit (20:16). Sirens wail, back up vehicles swing in (20:21). An officer arrives at a house call over a potential prowler (21:01). The house owner’s frustration is met with unprofessional irritability and humor from the officer (21:55) show casing the importance of controlling external reactions. This film was produced with the cooperation of the Springfield Massachusetts Police Department (22:46).  If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com

Have you ever seen this Cmaj9(no3) voicing?

Give the most meaningful Christmas gift ✨ Create a custom star map from Under Lucky Stars at http://UnderLuckyStars.com Why haven’t we heard from aliens? That’s a question that sounds simple but turns into a mess the moment you try to answer it. Recently, a mathematician tried to simplify the equation by trying to calculate the odds that we’re the only intelligent life in the universe – according to his math, we shouldn’t be. Let’s take a look. Paper: https://www.sciencedirect.com/science/article/pii/S0094576525006599?via%3Dihub 🤓 Check out my new quiz app ➜ http://quizwithit.com/ 📚 Buy my book ➜ https://amzn.to/3HSAWJW 💌 Support me on Donorbox ➜ https://donorbox.org/swtg 📝 Transcripts and written news on Substack ➜ https://sciencewtg.substack.com/ 👉 Transcript with links to references on Patreon ➜ https://www.patreon.com/Sabine 📩 Free weekly science newsletter ➜ https://sabinehossenfelder.com/newsletter/ 👂 Audio only podcast ➜ https://open.spotify.com/show/0MkNfXlKnMPEUMEeKQYmYC 🔗 Join this channel to get access to perks ➜ https://www.youtube.com/channel/UC1yNl2E66ZzKApQdRuTQ4tw/join #science #sciencenews #aliens #maths

Does your guitar love to wander? Stop the slippage with a surprising solution: drawer liner! Cut a piece, stick it on your leg, problem solved! Easy, cheap & kind to your guitar's finish. #classicalguitar #guitartips #guitarhacks #classicalguitarshed #problemsolved

James May rates PRIME 🔥

Sam Harris, Roger Penrose, and Sophie Scott discuss consciousness, altered states, split brain patients, and the illusion of the Self. If you really look for it, can you ever find the Self? With a free trial, you can watch the full debate NOW at https://iai.tv/video/the-divided-self-sam-harris-roger-penrose?utm_source=YouTube&utm_medium=description Many have sought to divide the self into separate parts. From Aristotle's distinction between the rational and irrational self to Freud's separation of the conscious and unconscious mind, from Kahneman's fast and slow self to McGilchrist's selves of the left and right brain. But critics argue it makes no sense to see the self as divided. From Descartes to Sartre, many philosophers have concluded that to be conscious is to be conscious of something and there can be no further self hiding within consciousness. After all, if there are two aspects of the self does it not require a third to oversee or combine them? Meanwhile, neuroscience has been unable to identify a self at all let alone multiple selves. Should we give up the idea of distinct selves as simply incoherent? Should we conclude that a single self is necessary to account for conscious experience and to enable responsibility for action? Or are multiple selves a better way to explain the wildly divergent thoughts and contradictory behaviours that we can sometimes exhibit? #consciousness #philosophy #neuroscience #psychology #science #buddhism Neuroscientist and philosopher Sam Harris, Nobel Prize winner Roger Penrose, and director of the Institute of Cognitive Neuroscience Sophie Scott discuss whether the self is divided. The Institute of Art and Ideas features videos and articles from cutting edge thinkers discussing the ideas that are shaping the world, from metaphysics to string theory, technology to democracy, aesthetics to genetics. Subscribe today! https://iai.tv/subscribe?utm_source=YouTube&utm_medium=description&utm_campaign=https://iai.tv/video/the-divided-self-sam-harris-roger-penrose 00:00 Consciousness is the one thing in this universe that can't be an illusion 00:36 Sam Harris on the illusion of the Self 03:51 Roger Penrose on the corpus callosotomy procedure and dual consciousness 06:57 Dreams and memories in the labyrinth of consciousness 08:55 Sophie Scott on neuroscience, cell renewal, and being social primates 12:41 Where is the theatre of experience located? 16:05 Split brain patients have two distinct consciousnesses 17:48 Is the Self continuous across time or caught in a constant cycle of death and rebirth? 19:08 The curious case of Clive Wearing 22:05 Memory situates the Self For debates and talks: https://iai.tv For articles: https://iai.tv/articles For courses: https://iai.tv/iai-academy/courses

Subscribe to stay up-to-date on all Uncensored content. Follow Piers Morgan Uncensored on: X: https://x.com/PiersUncensored Instagram: https://www.instagram.com/piersmorganuncensored/ Facebook: https://www.facebook.com/piersmorganuncensored TikTok: https://www.tiktok.com/@piersmorganuncensored Follow Piers Morgan on: X: https://x.com/piersmorgan Instagram: https://www.instagram.com/piersmorgan #piersmorgan #israel #gaza

We had the pleasure of welcoming the exceptional musician and world-renowned guitarist Brandon Acker for the first time to the Siccas Guitars studio in Germany. Brandon is one of the leading content creators in the classical guitar scene, with deep musical knowledge, especially from the Baroque and Renaissance epochs. In this concert, Brandon Acker performs on the recently launched Siccas Luthiers guitars, presenting works by John Dowland, Alessandro Piccinini, and Giovanni Zamboni. Enjoy the concert, and make sure to have a look at Brandon Acker’s YouTube channel for more wonderful content. https://www.youtube.com/@UC-GiI_5U-WkPIKqsq056wvg 00:00 Intro 00:30 Prelude in c minor by Giovanni Zamboni 🎸Guitar : https://www.siccasguitars.com/products/siccas-luthiers-creation-doubletop-triptych 02:10 Fortune my Foe by John Dowland 🎸Guitar : https://www.siccasguitars.com/products/siccas-luthiers-creation-doubletop-triptych 06:00 Frog Galliard by John Dowland 🎸Guitar : Siccas Luthiers "Legacy" - To be launched soon 08:06 Lachrimae Pavan by John Dowland 🎸Guitar : https://www.siccasguitars.com/products/siccas-luthiers-creation-doubletop-cedar 13:07 Aria di Saravanda by Alessandro Piccini 🎸Guitar : Siccas Luthiers "Legacy" - To be launched soon Support our channel and become a SiccasGuitars Member with exclusive classical guitar nerd perks: https://www.youtube.com/channel/UCR39sLAZ5wS_vrMo4tRylHw/join ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Follows us on: ► Instagram: https://www.instagram.com/siccasguitars/ ► TikTok: https://www.tiktok.com/@siccasguitars ► Facebook: https://www.facebook.com/siccasguitars/ ► Twitter: https://twitter.com/siccasguitars WEBSITES: ► https://www.siccasmedia.com/ ► https://www.siccasguitars.com/ ► https://playsomethingcool.com/ NEWSLETTER: ► http://bit.ly/SiccasGuitars CONTACT US: ► info@siccasguitars.com ► 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ ►►ANA VIDOVIC https://www.youtube.com/playlist?list=PLWOAHYyavpQhzY5wkpHE0_AGu72x7JjdN ►►J S BACH https://www.youtube.com/playlist?list=PLWOAHYyavpQiRD8C05bGImSEXp5KLpMSk ►► ALBUMS & CONCERTS https://www.youtube.com/playlist?list=PLWOAHYyavpQj1YvhqLIO5EGz9ikpYTc2m ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ #SiccasGuitars #guitarconcert #baroquemusic ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Lighted by Nyta: https://www.nyta.eu/en/

🎸This guitar is available in our Siccas Guitars shop: https://www.siccasguitars.de/en/products/siccas-luthiers-creation-doubletop-triptych Support our channel and become a SiccasGuitars Member with exclusive classical guitar nerd perks: https://www.youtube.com/channel/UCR39sLAZ5wS_vrMo4tRylHw/join ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Follows us on: ► Instagram: https://www.instagram.com/siccasguitars/ ► TikTok: https://www.tiktok.com/@siccasguitars ► Facebook: https://www.facebook.com/siccasguitars/ ► Twitter: https://twitter.com/siccasguitars WEBSITES: ► https://www.siccasmedia.com/ ► https://www.siccasguitars.com/ ► https://playsomethingcool.com/ NEWSLETTER: ► http://bit.ly/SiccasGuitars CONTACT US: ► info@siccasguitars.com ► 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ ►►ANA VIDOVIC https://www.youtube.com/playlist?list=PLWOAHYyavpQhzY5wkpHE0_AGu72x7JjdN ►►J S BACH https://www.youtube.com/playlist?list=PLWOAHYyavpQiRD8C05bGImSEXp5KLpMSk ►► ALBUMS & CONCERTS https://www.youtube.com/playlist?list=PLWOAHYyavpQj1YvhqLIO5EGz9ikpYTc2m ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ #SiccasGuitars # # ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Lighted by Nyta: https://www.nyta.eu/en/

🎸This guitar is available in our Siccas Guitars shop: https://www.siccasguitars.com/products/marcos-domato-fernandez-2025-concierto Support our channel and become a SiccasGuitars Member with exclusive classical guitar nerd perks: https://www.youtube.com/channel/UCR39sLAZ5wS_vrMo4tRylHw/join ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Follows us on: ► Instagram: https://www.instagram.com/siccasguitars/ ► TikTok: https://www.tiktok.com/@siccasguitars ► Facebook: https://www.facebook.com/siccasguitars/ ► Twitter: https://twitter.com/siccasguitars WEBSITES: ► https://www.siccasmedia.com/ ► https://www.siccasguitars.com/ ► https://playsomethingcool.com/ NEWSLETTER: ► http://bit.ly/SiccasGuitars CONTACT US: ► info@siccasguitars.com ► 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ ►►ANA VIDOVIC https://www.youtube.com/playlist?list=PLWOAHYyavpQhzY5wkpHE0_AGu72x7JjdN ►►J S BACH https://www.youtube.com/playlist?list=PLWOAHYyavpQiRD8C05bGImSEXp5KLpMSk ►► ALBUMS & CONCERTS https://www.youtube.com/playlist?list=PLWOAHYyavpQj1YvhqLIO5EGz9ikpYTc2m ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Classical guitars are our passion! We are specialized in the highest quality concert guitars as well as historic guitars from around the world. Our passion for these unique instruments and the joy to give guitarists, passionate players, and collectors the possibility to purchase their own appropriate instrument is the motivation that drives us. Another focus is to work closely with established and young, largely unknown luthiers. Together we want to develop new ideas and share experiences with our customers. We also recorded pieces for many great composers such as Johann Sebastian Bach, Astor Piazzolla and Isaac Albeniz (Asturias). You will also find almost all the classical music composers that wrote for the classical guitar. Make sure to discover Agustin Barrios Mangoré, Manuel Maria Ponce, Heitor Villa-Lobos and many more if you don't know their compositions already You can find our showroom in 76137 Karlsruhe, Roonstr. 31, Germany ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ #SiccasGuitars # # ‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾‾ Lighted by Nyta: https://www.nyta.eu/en/

My review of the Panasonic GNW30 Personal surround sound neck speaker system. MERCHANDISE Techmoan Merchandise is available from https://nerdkeyz.etsy.com/ SUBSCRIBE http://www.youtube.com/user/Techmoan?sub_confirmation=1 COMMENTS YouTube AUTO-moderates comments itself to prevent spam etc. Sometimes normal comments get caught in this net too. SUPPORT This channel can be supported through Patreon https://www.patreon.com/techmoan *******Patrons usually have early access to videos******* OUTRO MUSIC Over Time - Vibe Tracks https://youtu.be/VSSswVZSgJw AFFILIATED LINKS/ADVERTISING NOTICE All links are Affiliated where possible. When you click on links to various merchants posted here and make a purchase, this can result in me earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network & Amazon. I am a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to AMAZON Sites (including, but not limited to Amazon US/UK/DE/ES/FR/NL/IT/CAN

In this episode, Palestinian artist Rana Bishara reflects on how art became a lifeline—preserving memory, dignity and identity in the face of erasure. Speaking from Galilee, she shares her story of growing up on the Lebanese border, surviving ongoing trauma, and transforming resistance into creative practice. Through performance, public art, and memory-work, Bishara shows how art becomes both testimony and defiance under occupation. --------------------------------------------------------------- The All Eyes on Palestine Exhibition raises awareness about the ongoing genocide in Gaza. Through the work of Palestinian artists, it creates a space for expression and solidarity, where art becomes a form of resistance. It showcases a generation of artists whose work preserves the cultural identity of the land and its people. Their art bears witness to Palestinian identity shaped by ongoing trauma and struggle, compelling us to keep our eyes on Palestine. Curated by Elettra Stamboulis with co-curators Danae Stratou and Doris Hakim, the exhibition is presented in three sections: Land, Archaeologies of Memory, and Staying, Returning, Departing. --------------------------------------------------------------- All Eyes on Palestine will be launched in December 2025 in Athens, and later travel across Europe. Your donation will help us cover the production and transportation costs of the exhibition. Please donate today: https://internal.diem25.org/en/donations/to/eyes-palestine mέta - Centre for Post Capitalist Civilisation: https://metacpc.org/en/

Soms lijkt de werking van tools als ChatGPT, maar ook Gemini of Claude, bijna op magie. Maar achter die magie schuilen soms verborgen menselijke kosten. Daarover spreken we met Karen Hao, auteur van de bestseller Empire of AI, en een van de weinige journalisten die ooit een kijkje achter de schermen kreeg bij OpenAI. Ook spreken we met Mophat, een data-labeler uit Kenia, die een aantal jaar geleden data moest labelen om ChatGPT te trainen geen onveilige of illegale inhoud te tonen. Daarnaast spreken we met de non-profitorganisatie Foxglove, die contentmoderators en data-labelers zoals Mophat juridisch bijstaat. In de video tonen we een kaart van een non-profitorganisatie die samen met de Africa Content Moderators Union een illustratie maakte van de ketens tussen arbeiders in lagelonenlanden, grote techbedrijven en de tussenpartijen die daartussen zitten. Deze illustratie is iluustratief en waarschijnlijk incompleet. In een reactie schrijft OpenAI het volgende: we werken samen met bedrijven over de hele wereld om onze modellen te trainen en te evalueren. Dit kunnen erkende artsen, financiële analisten en andere professionals zijn om de kwaliteit en nauwkeurigheid te verbeteren. We werken ook samen met externe partners ter ondersteuning van contentmoderatie. Dit is belangrijk werk dat bijdraagt aan de veiligheid van onze modellen en gebruikers. We streven ernaar een veilige en positieve werkomgeving te creëren voor iedereen die betrokken is bij de ontwikkeling van onze technologie, inclusief degenen die in dienst zijn van onze externe partners. We hanteren voor hen een duidelijke gedragscode. 00:00 | Intro 00:49 | deel 1: 'Empires of AI' 06:44 | deel 2: de mens achter de machine 13:04 | deel 3: toverdrank van kunstmatige ingrediënten #Nieuwsuur #openai #chatgpt #llm Meer video’s? Abonneer, zet je belletje aan en laat een reactie achter. Volg ons ook op: Instagram: https://www.instagram.com/nieuwsuur/ TikTok: https://www.tiktok.com/@nieuwsuur Facebook: https://www.facebook.com/Nieuwsuur en onze site: https://www.nieuwsuur.nl Wil je dagelijks op de hoogte worden gebracht van onze verhalen? Abonneer je dan op ons WhatsApp-kanaal. Bij Nieuwsuur vind je elke zaterdag een nieuwe video. We geven verdieping en context. We controleren de macht. Respectvol en kritisch. Bij Nieuwsuur zie je indringende verhalen die je raken en aan het denken zetten.

Are you trying to play one of your favorite songs, and there is no transcription available online? Or worse, all the transcriptions you find sound *wrong*? Fret not. I have the solution for you! In this interview with ear training specialist Dylan Andrews we will show you how to transcribe your favorite songs by ear. And get our free stuff: - Get Dylan's FREE eBook: "5 Easy Ways To Practice Ear Training" here: https://eartrainingforguitar.com/5-easy-ways-to-practice-ear-training - Get my FREE eBook “18 Tips To Make Your Pentatonic Solos Sound Professional” here: https://www.musictheoryforguitar.com/pentatonic-guitar.html

Evening Dhamma talk by Thanissaro Bhikkhu (in English). Copyright 2025, Ṭhanissaro Bhikkhu. This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/. Any sale, including by non-profit entities for non-profit purposes, shall be considered 'commercial' under this license.

Evening Dhamma talk by Thanissaro Bhikkhu (in English). Copyright 2025, Ṭhanissaro Bhikkhu. This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/. Any sale, including by non-profit entities for non-profit purposes, shall be considered 'commercial' under this license.

Evening Dhamma talk by Thanissaro Bhikkhu (in English). Copyright 2025, Ṭhanissaro Bhikkhu. This work is licensed under the Creative Commons Attribution-NonCommercial 4.0 Unported License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/. Any sale, including by non-profit entities for non-profit purposes, shall be considered 'commercial' under this license.

Raimon Panikkar: Living at the Crossroads — Cosmotheandric Reality & the Collapse of Dualism Today, we explore the vast, boundary-breaking mind of Raymond Panikkar — philosopher, theologian, mystic, and the living bridge between worlds. Born in 1918 to a Hindu Indian father and a Spanish Catholic mother, Panikkar famously said: “I left Europe as a Christian, discovered I was a Hindu, and returned as a Buddhist, without ever having ceased to be a Christian.” He wasn’t blending religions. He was living them — as deep internal realities, not as labels. 🌍 What we explore in this episode: 🔹 What is the Cosmotheandric Reality? The idea that Cosmos (world), Theos (divine), and Andros (human consciousness) are distinct, but inseparable — mutually indwelling like a three-part dance. 🔹 Why does he use the term “Paracaresis”? Borrowed from Christian theology, it expresses the mutual indwelling of all reality — not separate beings, but a flowing relationship. 🔹 How he challenged the Western obsession with certainty, control, and reductionism. 🔹 Why ecology is not just a material crisis, but a spiritual and human crisis too. 🔹 The “Original sin” as labeling — when we stop listening to reality and just name it. 🔹 What is Mythos, Logos, and why modern societies worship transparent myths without knowing it? 🔹 Why most inter-religious dialogue fails — and what he called Intro-Religious Dialogue: the dialogue within the heart. 🔹 Why he rejected the idea that all religions are “just different paths to the same mountain.” ✨ Key takeaways from Panikkar: “Love without knowledge is sentimentalism. Knowledge without love is calculus.” “Symbols are not signs. They are the living interface between visible and invisible reality.” “Reality is not a problem to be solved. It is a mystery to be lived.” 🧭 Who should watch this? ✔ Seekers of spiritual integration ✔ Philosophers, theologians, mystics ✔ Students of comparative religion ✔ Anyone feeling trapped between science and spirituality ✔ Anyone sensing that reality is more relational, symbolic, and alive than what modern reductionism allows

You should try out this fancy new chord: Amadd11!

Check out the microphones used in your favorite Drumeo videos (Earthworks x Musora) ► https://earthworksaudio.com/musora _______________ Take a sneak peek inside the mind of Shannon Leto – drummer for Thirty Seconds To Mars! Watch as he listens to “Metalingus” by Alter Bridge for the very first time and attempts to play along. What is he listening for? How does he immediately craft an appropriate drum part on the spot? Tune in and find out!

Do you know this fancy Amaj9 voicing?

Check out the microphones used in your favorite Drumeo videos (Earthworks x Musora) ► https://earthworksaudio.com/musora _______________ Take a sneak peek inside the mind of Shannon Leto – drummer for Thirty Seconds To Mars! Watch as he listens to “Metalingus” by Alter Bridge for the very first time and attempts to play along. What is he listening for? How does he immediately craft an appropriate drum part on the spot? Tune in and find out!

Check out the microphones used in your favorite Drumeo videos (Earthworks x Musora) ► https://earthworksaudio.com/musora _______________ Take a sneak peek inside the mind of Shannon Leto – drummer for Thirty Seconds To Mars! Watch as he listens to “Metalingus” by Alter Bridge for the very first time and attempts to play along. What is he listening for? How does he immediately craft an appropriate drum part on the spot? Tune in and find out!

The Black Friday Sale might be over, but you can still get 75% off the brand new Better Piano System this holiday season!! Go here: https://shop.betterpiano.com/ Follow me! Instagram: https://bit.ly/2WoR7W1 Twitter: https://bit.ly/2I02YAt Facebook: https://bit.ly/2K4rHq8 TikTok: https://bit.ly/2X7pnlN

Chris Jude - zo noemt de hoofdverdachte zichzelf maar die naam kreeg hij niet van zijn ouders. Hij nam de twee namen aan na verblijf in meerdere kindertehuizen in Nigeria. Deze - en veel andere nieuwe details vertelde de verdachte van de moord op Lisa zelf aan de politie. Journalist Paul Vugts schreef er vandaag over, samen met collega Wouter Laumans, in het Parool. De man wordt verdacht van verkrachting en moord, ontkent niet maar zegt zich niets te herinneren. Vanuit Tunesië zou hij op het Italiaanse eiland Lampedusa terecht zijn gekomen. In juni dit jaar dook hij op bij het aanmeldcentrum voor asielzoekers in Ter Apel. Op een of andere manier is hij daarna in het asielzoekerscentrum aan de Hogehilweg in Amsterdam-Zuidoost terechtgekomen. Er gaan verhalen dat hij 's nachts vaak op op pad ging.

Check out the microphones used in your favorite Drumeo videos (Earthworks x Musora) ► https://earthworksaudio.com/musora _______________ Take a sneak peek inside the mind of Shannon Leto – drummer for Thirty Seconds To Mars! Watch as he listens to “Metalingus” by Alter Bridge for the very first time and attempts to play along. What is he listening for? How does he immediately craft an appropriate drum part on the spot? Tune in and find out!

Check out the microphones used in your favorite Drumeo videos (Earthworks x Musora) ► https://earthworksaudio.com/musora _______________ Take a sneak peek inside the mind of Shannon Leto – drummer for Thirty Seconds To Mars! Watch as he listens to “Metalingus” by Alter Bridge for the very first time and attempts to play along. What is he listening for? How does he immediately craft an appropriate drum part on the spot? Tune in and find out!

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Don't let your pie get a sunburn! If your fluted edges are "getting a little too tan" before the filling is done, Wirecutter senior staff writer Lesley Stockton has a simple hack that saves the best part of the pie (unless you don’t like crust). 🥧 Listen to Lesley’s full guide to showstopping pies: https://www.youtube.com/watch?v=WAZBzm-JOOA&t=1s #PieBaking #PieCrust #HomemadePie #ThanksgivingDessert #BakingTips #Wirecutter #TheWirecutterShow #Podcast #PodcastClip #YouTubeShorts #Shorts

Literature isn’t a horse race. Taste is subjective, and artistic value can’t be measured in terms of “winners" and “losers.” That doesn’t mean it’s not fun to try. The book world’s awards season officially kicked off on Oct. 9, when the Hungarian novelist Laszlo Krasznahorkai won the 2025 Nobel Prize, and continued this month when the Booker Prize in England went to the novel “Flesh,” by the British writer David Szalay (also of Hungarian descent, as it happens). Then this week, five National Book Award winners were crowned in various categories at a ceremony in New York. On this episode of the podcast, the host MJ Franklin talks with his fellow Book Review editors Emily Eakin, Joumana Khatib and Dave Kim about the finalists, the winners and what this year’s big book awards might tell us about the state of literature in 2025. We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to books@nytimes.com (mailto:books@nytimes.com) . Subscribe today at nytimes.com/podcasts (http://nytimes.com/podcasts) or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Join this channel to get access to perks: https://www.youtube.com/channel/UCddem5RlB3bQe99wyY49g0g/join Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm Visit our website www.PeriscopeFilm.com Dating to 1970, this silent film shows a special open house event at what appears to be the Kennedy Space Center. At (:16) a banner reads, "First Anniversary Lunar Walk". The Command Module capsules for Apollo 12 and Apollo 13 (1:35) are shown on display, as well as models of Saturn V rockets (6:58), and the real thing (7:50). At (2:14) visitors pose with a mock-up of an astronaut wearing a spacesuit and holding a flag, an apparent homage to a Buzz Aldrin's famous pose during Apollo 11. At (9:24) plans for a future space station are displayed. Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below. This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com